Showing posts with label Homework. Show all posts
Showing posts with label Homework. Show all posts

Warm and Cool Color Theory

Click the image to enlarge.



ideally this would be printed very large, but as it is the text is squidgy, even when enlarged. So here's the copy for your reading ease:

    A warm or cool color palette can be used to unify a piece of art. Traditionally, warm colors excite a viewer and cool colors have a calming effect. By picking a color palette that is either dominantly warm or cool, an artist can make a subtle statement that will effect the viewer unconsciously. Further, a contrast between warm and cool can also have a strong effect.
    In the first composition, a dominantly cool color palette of blues suggests to the viewer that the scene is set in a cold place. The scene, without a unified cool color palette, might have seemed obviously cold, given the setting, but the cool colors subtly engage the viewer with the coldness of the scene. The same is true of the third composition, this time with a warm color palette of reds and oranges selling the heat of the piece. The middle composition is a study in contrasts. Although the focus of the piece is a fire, the dominantly cool palette implies that the scene is actually cold. Although the figure is near to the fire, it is implied that the fire is not enough. Here, the contrast of the cool, overpowering the warm, creates an even more subtle emotional response in the viewer; more than a totally cool color palette with no fire, or a completely warm color palette where the fire heated the entire scene.
    A color palette can be symbolic, much like the objects or figures of an artwork. A cool or warm palette, and even a contrast, can have as much impact in a work as a more visually explicit object or symbol, and as such can be a powerful tool.

Color Wheels and Complementary Colors



Take a look at the complimentary colors combinations on the left. Did you happen to think of the Hulk, or Superman? Comics, being a printed medium, are designed in CMYK, on which that color wheel is based. It seems pretty clear, to me at least, that a number of famous super hero's costumes were designed with the use of the complimentary colors of printing. I imagine it would simplify your printing costs when most of your character stable was made of simple primary colors.

Another Vector Still Life

Vector Still Life


some nice bananas.

referenced from a photo found online. Each banana has it's own hierarchy of tone and saturation within the hue that makes it up. That is to say, all the colors of each banana have the same hue, and the shadows and highlights are made of different levels of value and/or saturation of that hue.

next step: figuring out how to work with hue, value and saturation in paint to achieve the same outcome... also figuring out a more interesting subject than just "some nice bananas"